Chris Sharp is a writer and curator based in Mexico City where he runs the project space Lulu. He recently co-curated Post hoc by Dane Mitchell for the New Zealand Pavilion at the 58th Venice Biennale (2019), and La Promesse du bonheur: Tom Wesselmann at the Nouveau Musée National de Monaco (2018). He is a contributing editor of Art Agenda, and his writing has appeared in numerous catalogs, magazines, journals, and online publications.